The framed floral art print in a vintage style white frame features pink roses by artist Sonie Ames. This medium-sized portrait orientation piece is an original contemporary print. Made of paper using lithography production technique in the United States, this piece captures the beauty of roses in a unique and artistic way, making it a perfect addition to any art or floral-themed space. The white frame is adorned with floral designs on the corners.

 









   This picture is from the 1960's and radiates Victorian style.

   











    Please see all photos to know what you are purchasing. This picture brings grace and elegance to any room in your home, business or office.

    

























     Measures Approximately: 17-3/4" (H) x 14-1/2" (L) x 1" (D)

    











     Weighs approximately 3 pounds and with shipping materials it is about 5 lbs 6oz.

    









































          This artwork by Sonie Ames, a renowned 20th-century American china painter and floral artist (1900–1994), is a delicate and evocative still life titled something akin to "Pink Roses and Daisies" (based on her signature series of rose motifs). It exemplifies her mastery of porcelain painting techniques, which she popularized through instructional studies and prints starting in the 1950s, often focusing on the luminous, translucent quality of overglaze enamels fired on china.

         















          Visual Description:

         





















             Subject and Composition

            











           : At the heart of the piece is a lush, intimate bouquet of pale pink roses in varying stages of bloom—ranging from tight buds to fully unfurled flowers with soft, ruffled petals and subtle yellow centers. These are interspersed with clusters of small white daisies, their simple, starry petals providing gentle contrast. The arrangement feels natural and unforced, as if freshly gathered, with overlapping leaves and stems adding depth and a sense of gentle movement. The composition is asymmetrical yet balanced, drawing the eye from the central large rose outward to the softer edges, evoking a quiet moment of repose.

          



















             Style and Technique

            











           : Rendered in a soft watercolor-like style with fine brushwork, the painting achieves a dreamlike ethereality through subtle layering and blending. Edges blur into a hazy, atmospheric background, creating a sense of diffused light and airiness—hallmarks of Ames' china painting method, where pigments are applied thinly to mimic the glow of light passing through petals. There's no harsh outlining; instead, it's all about tonal gradations, from the creamy whites of the daisies to the blushing pinks of the roses, with hints of green foliage providing verdant accents.

          



















             Color Palette

            











           : Predominantly soft and pastel, dominated by blush pinks (from pale rose to deeper blush), creamy whites, and subtle sage greens. The overall tone is warm yet serene, with a vintage, romantic feel that avoids vibrancy in favor of subtlety—reminiscent of faded antique botanicals.

          



















             Framing and Presentation

            











           : Housed in an ornate, off-white wooden frame with carved floral flourishes (possibly acanthus leaves or scrolling vines) at the corners, which complements the painting's romantic theme. A thin sage-green inner mat adds a grounding border, enhancing the artwork's heirloom quality. The frame suggests a Victorian-inspired aesthetic, evoking parlors of the late 19th century, though Ames' work bridges into mid-20th-century decorative arts.

          

















          Overall Impression:

         















          This piece radiates timeless elegance and quiet beauty, capturing the transient grace of nature in a way that's both nostalgic and soothing—perfect for a mantel or gallery wall. Ames, who didn't begin painting until age 50 and became a Smithsonian-recognized artist for her rose depictions, infused her works with personal passion (she was famously rose-obsessed). It's not just a floral study; it's an invitation to linger, much like inhaling the faint scent of a garden at dusk. If this is a print or study from her designs (common in her oeuvre), it would pair beautifully with similarly muted botanicals for a cohesive, feminine vignette.

         

















































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